Contemporary hollywood cinema steve neale pdf download free

Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez.

Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema.

Study after study shows that it's increasingly difficult for working class people to achieve upward mobility in the US - so how does the American Dream continue to thrive? Home Movies addresses this oversight by assessing recent cinematic representations of the family in terms of cultural politics. The Persistence of Whiteness. The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking.

The Dolby Era. This book tells the story of the arrival of Dolby onto the film scene in the early 70s, and its profound impact on Hollywood filmmakers and audiences worldwide. The American family has long been at the centre of the typical Hollywood narrative. But the depiction of the nuclear family within contemporary mainstream US cinema has not yet been closely studied. Home Movies addresses this oversight by assessing recent cinematic representations of the family in terms of cultural politics and representations of gender, sexuality, race and class.

Focusing on a diverse range of popular films - from Meet the Parents to The Incredibles - Claire Jenkins analyses the father-daughter relationship within sequels and series; Meryl Streep's embodiment of the mother; the superhero family and extraordinary manifestations of the ordinary family; disaster films which depict the president as father; 'mom-coms' and Hollywood's representations of the non-traditional family.

She combines film studies, gender studies and family history to demonstrate the complexities of Hollywood's family values. Hollywood has a growing fascination with America's past. This book offers an analysis of how and why contemporary Hollywood films have sought to mediate American history. It considers whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods. New Hollywood extends from the radical gestures of the 'Hollywood Renaissance' of the late s and early s to the current dominance of the corporate blockbuster.

Geoff King covers new Hollywood dynamically and accessibly in this thoroughly modern introductory text. He discusses diverse films as well as the film-makers and film companies, focusing on the interactions between the film texts, their social contexts and the industry producing them. Using examples across Hollywood and its genres, King reveals how the positions of studios within media conglomerates, together with the impact of television, advertising and franchising on the New Hollywood, shape the form and content of the films.

In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts. Studies show that it's difficult for working class people to achieve upward mobility in the US.

This book shows that the American Dream's glorification in Hollywood cinema should not be ignored. He discusses diverse films as well as the film-makers and. Contemporary Hollywood Cinema. Postfeminism and Contemporary Hollywood Cinema by J. The Persistence of Whiteness by Daniel Bernardi. Emmett Winn. The Dolby Era by Gianluca Sergi.

Fat on Film by Barbara Plotz.